LIFESTYLE

Top 3 Fashion Documentaries

Every fashionista must watch

Helena Saadeh

19-March-2019

Top 3 Fashion Documentaries

Saint Laurent

Saint Laurent is a 2014 French biographical drama film co-written and directed by Bertrand Bonello, and starring Gaspard Ulliel as Yves Saint Laurent, Jérémie Renier as Pierre Bergé, and Louis Garrel as Jacques de Bascher. The supporting cast features Léa Seydoux, Amira Casar, Aymeline Valade and Helmut Berger. The film centers on Saint Laurent's life from 1967 to 1976, during which time the famed fashion designer was at the peak of his career.The film competed for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival and was released on 24 September 2014.

The True Cost

The True Cost is a 2015 documentary film directed by Andrew Morgan that focuses on fast fashion. It discusses several aspects of the garment industry from production—mainly exploring the life of low-wage workers in developing countries—to its after-effects such as river and soil pollution, pesticide contamination, disease and death. Using an approach that looks at environmental, social and psychological aspects, it also examines consumerism and mass media, ultimately linking them to global capitalism. The documentary is a collage of several interviews with environmentalists, garment workers, factory owners, and people organizing fair trade companies or promoting sustainable clothing production. Morgan's attention was drawn to the topic after the 2013 Savar building collapse when a commercial building in Bangladesh named Rana Plaza toppled and killed over a thousand workers.

The Dressmaker

The Dressmaker is a 2015 Australian comedy-drama film written and directed by Jocelyn Moorhouse, based on the 2000 novel of the same name by Rosalie Ham.It stars Kate Winslet as a femme fatale in the leading role of the dressmaker, Myrtle "Tilly" Dunnage, who returns to a small Australian town to take care of her ailing, mentally unstable mother.The film explores the themes of revenge and creativity and was described by Moorhouse as "Clint Eastwood's Unforgiven with a sewing machine."